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Through the Ages of Time: DISMEMBER special

Welcome to our new feature entitled “Through the Ages of Time”. The concept is nothing new – you might know it as “Blast from the Past” or something similar from hundreds of other zines. If not, it’s really simple. There’s always certain albums or bands that has stuck with you for ages that you re-visit every now and then. Some age well, others not. These pages will be something of a walk down memory lane and nostalgia mixed with the thoughts of today.

And what better way to start this than by a Dismember special on the very day that “Like an Ever Flowing Stream” celebrates its 24th birthday?

// TK [2015-05-29]


This month I have tried to wrap my head around the nuances in the collected works of Dismember (R.I.P.) found in my record collection.

Dismember-Like_an_Ever_Flowing_Stream-1991“Like An Ever Flowing Stream” (album, 1991)
The debut. The debut!? The first album I heard with the band, though my first contact with their music was the song “Dismembered” that was featured on the “10 Years Nuclear Blast” compilation. That song is still one of those I hold in the highest regard, but when talking of “LAEFS” you also have to mention “Override Of The Overture”, “Soon To Be Dead”, “Bleed For Me”… Well, every song! I have the 1996 digipak with four bonus tracks and it’s amazing from start to finish. When configuring the Wi-Fi at a friends place, I named the network after this album. 10/10

Dismember-Pieces-EP-1992“Pieces” (EP, 1992)
The riffs are almost indiscernible in the buzz of the HM-2, but Matti Kärki’s vocals are very clear. Even as an EP, this record is very short in its original form. I have it as part of a compilation called “Indecent & Obscene / Pieces” with one extra track. It’s still short, but very sweet. The rough production really gives the songs some extra punch! 9.0/10

Dismember-Indecent_And_Obscene-1993“Indecent And Obscene” (album, 1993)
One short month after “Pieces” was released, Dismember entered Sunlight Studios again to record their second album. It was finished in December 1992, while quite a bit of controversy surrounded the band, its imagery and the song titles. Already around the time of their debut, Dismember had problems with authorities trying to ban their works, and in some countries it worked! On “I&O” the guitars have a more laid-back disposition, but Kärki’s vocals are as frantic as they ever were, and then some. The band starts to utilize more melodies, a direction that comes in full bloom on their next album. But on here, they hit the sweet spot between brutality and harmony. I only wish the production was closer to that on “Pieces”. 9.5/10

Dismember-Massive_Killing_Capacity-1995“Massive Killing Capacity” (album, 1995)
At a first glimpse, I thought this album was really good, but I have since found it wanting. Wanting what? Power, brutality, death, cheese balls? Yes, some or all of the above. There are a few pieces that are among the more memorable in the discography of Dismember, but as a whole I have come to rank this some way below their finer albums. 6.5/10

Dismember-Casket_Garden-EP-1995“Casket Garden” ‎(EP, 1995)
An EP that gives me nothing new. The third track was “previously unreleased” in 1995, but it’s included in my copy of “Like An Ever Flowing Stream” so for me the “Casket Garden” EP only serves to complete my collection with the band. 4.5/10


Dismember-Death_Metal-1997“Death Metal” (album, 1997)
You have to love how concise this title is: Death Metal. And what a hit of an album. I have not been keeping this specific album in mind when thinking up lists of my favorite (death metal) records, but from now on I promise I will. First we are met by this corny yet awesome cover, then the song titles (“Of Fire”, “Trendkiller”, “Misanthropic”…) and starts to get pumped up. When the first notes starts streaming into our ears I imagine everyone would submit to this 40 minute death metal worship session. 10/10

Dismember-Hate_Campaign-2000“Hate Campaign” (album, 2000)
And then belly flop. Well, not totally. The music is recognizable, catchy when it needs to and heavy/brutal in between. What makes this album difficult to listen to is the way the songs have been merged together. The songs are all pretty short, and when there are no pauses between the tracks they never come full circle on their own. But it’s even more annoying trying to listen to the album on an MP3 player without gapless playback. 6.0/10

Dismember-Where_Ironcrosses_Grow-2004“Where Ironcrosses Grow” (album, 2004)
2004. The classic era had ended, and the band had their longest hiatus of releases ever. I believe this was the first Dismember album I picked up while it was still fresh, which kind of gave me a different approach to listening to it. “Where Ironcrosses Grow” is a nicely coherent slab of death metal. It’s not among the most innovative creations in the history of music, but it’s pretty darn good. 8.0/10

Dismember-Complete_Demos-2005“Complete Demos” (compilation, 2005)
Pretty fitting name for this compilation. “Complete Demos” collect the three demos prior to the debut album (excluding the “Rehearsal Demo ’89” release, whose songs are accounted for anyway). I don’t know if the songs are remastered in any way, but I suspect they are, since they sound pretty good. It’s a nice release to own to complete ones collection (provided you don’t already own the original demos). 7.0/10

Dismember-The_God_That_Never_Was-2006“The God That Never Was” (album, 2006)
This album kicks off with the up-tempo title track which grabs a hold of its listener. And then the steamroller doesn’t stop until all the 11 tracks are finished. “The God That Never Was” just a little bit better than “Where Ironcrosses Grow”. 8.0/10

Dismember-Dismember-2008“Dismember” (album, 2008)
Swansong. It’s always sad when a band calls it quits. I hope at least some of the guys are keeping themselves busy with other bands or metal related work, but I have not kept up to date. I wouldn’t say the band went out with a bang, but it’s nice that they had the possibilty to say goodbye with a self-titled album. 8.0/10


So, in conclusion, we find that I prefer Dismember‘s earlier works, then their last. Yet, in between they manage to hit a homerun with one very aptly named album. Maybe, in 30 years, people will wonder if it was Dismember that gave the genre its name? Thank you for the music, the songs I’m screaming.

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Artcile by: MJ


You thought it was over?

Well, not quite. As a bonus to this very first special we here at Deathdomain want to give away a copy of Dismember‘s “Live Blasphemies” 2-DVD  [2004] to one lucky winner. So, what to do?

It’s simple – just send an e-mail to and tell us why you should be the lucky winner?

Competition ends June 13th and the winner will get an e-mail on the 14th of June 2015.

Kamelot – “Haven” 2015

 Kamelot – “Haven”
LABEL: Napalm Records
YEAR: 2015
GENRE: Progressive/Melodic Power Metal
RATING: 8.5 / 10

Kamelot is one of approximately four power metal bands that I have kept my interest in during the last ten years (KamelotFalconerVanishing PointDream Evil). With the last album they changed the face and voice of the band, and Swede Tommy Karevik did a great job at taking over the mic. Maybe because he almost sounded exactly like his predecessor or maybe because the songs themselves were so good that there was no use complaining at all.

Anyway, now these Americans/Germans/Swedes are back again, and the formula hasn’t changed much. The lineup is the same, Sascha Paeth is still behind the mixing table (without Miro this time though), the artwork is again done by Stefan Heilemann. One new name this time around is Jacob Hansen, who has done the mastering. Of course, he’s only new to Kamelot; the list of bands he has been part of and/or produced is really impressive.

The gang has a real knack for writing catchy power/heavy metal songs, but historically there are some snores on every album, and “Haven” is not an exception. However, the songs that are good are great, and if you like their previous releases there’s no doubt you will like “Haven” too.

Review by: MJ

Leprous – “The Congregation” 2015

 Leprous – “The Congregation”
LABEL: InsideOut Music
YEAR: 2015
GENRE: Progressive Metal
RATING: 10 / 10

If anyone reading this have been visiting Deathdomain frequently from the beginning, I’m sure they have seen me mention the last Leprous album, “Coal”, and my subsequent praise. It was our boss TK that shared a song from that album when it was fresh. I liked it, and when I played the album for the June 2013 edition of Against the Wall there was no doubt that it would end up on my Top 10 of 2013. The result is here: MJ’s Top 10, 2013.

Now, this Norwegian group is back with “The Congregation”. An album that refines the sound of “Coal”. To me, they have actually managed to pick out all the best things about their last album and concentrated that sound. “The Congregation” is anything but straightforward, but there is a palpable drive in every song, even though there’s not much metal on here. This is a borderline pop/rock album (my experience with Muse is limited to their “Origin of Symmetry”, but I hear evident similarities there), and as such it is not meant to pressure it’s listener by being heavy. The heaviness comes instead from its lyrical content. Vocalist Einar Solberg has said*: “Lyrically, ‘The Congregation’ covers the dangers and consequences of blindly following the flow,” which explains the title. I’m not one that gets hung up on lyrics, and I have not been able to read them yet, so for me this album is neither sad nor “scary”. It’s just purely beautiful.

I am writing this review pretty early, so I don’t know how well the album is going to hold out in the long run, but at the moment “The Congregation” exceeds even “Coal” and then I feel obligated to give out the perfect score. I sincerely hope that this album, and any potential new releases from the band, will keep on moving me so deeply by just being so colorful.

* Source: Blabbermouth

Review by: MJ

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